Wednesday, 8 July 2009

Magic City - Monty Part 2


This is a massive mural (painted on concrete) in Montgomery metro - painted by Jean Folon (that's a man's name just in case you were wondering) in the 1970s. The official site for the metro says it's about having a faintly sinister sun indoors (hence my post just now about the yellow). I like it though as it seems happy yet stylized. In AA300 terms the metro is a border zone - we're facing in the direction of the forest where Flanders starts, as well as a bump in price because you've crossed the border.

Montgomery metro part 1



Montgomery (it's a famous junction in Brussels lorded over by a statue of Monty, the famous soldier guy - I've got a picture of the view of the Cinquantenaire 'Arc de Triomphe' arch through his legs but thought better of posting it) metro is a great place - lots of 1970s stuff, probably about to be ripped out - just like most of my brain. Anyway, this bit is near our old flat - this was on a hot night after a Wiener Schnitzel in a Croatian restaurant. I'm not sure why the walls are yellow - they smell OK, so maybe it's just part of the sun has migrated underground without telling us. Can you tell that haiku took about thirty seconds to write - that long I hear you say!

Sunset mode


So this is what the Panasonic Lumix something or other does in sunset mode. As you can see, basically you still need an interesting sunset and this one wasn't so I put a haiku over it. Haikus are something the O U says you should write every day. I can't think of anything I do every day.

Chin chiller


Here in OUSA Belgium we believe in taking it on the chin, even if makes you go a funny sepia shade.
This is actually with a new camera that does more, but I think has slightly grainier pictures than the old one.
Apologies for not updating this blog more often - I'm feeling a bit lazy and summery. It's all I can do to revise stuff like this - if you think this is bad, you should have read the first version.
TANGO

A hundredweight of bread
moves down a frosty hill
to Karl the baker
cheeping an old song
from exotic toothed birds.
Behind him, a clapped out bus
(not green, not red, but something between,
like the surface of eyes in a Javanese film)
wheezes like a dying cult
as schoolkids pick out loam
from finger-nails not yet grown.
The bread is nearer now.
In the crystal sight
of a winter's day
(not hot, not cold but fashionably indirect
coolly half-finished
like a carte de visite for a future dream)
ghost Greek Gods laugh silently
their chests as devastated as stars
glued to a red-grey sky.
The bus roars off
its petrochemical jerk makes trees dance along:
their arms scratching their swift-growing girths.
Colin sits on the saddened ground
as a wall of bread
(not high, not low, just large enough to slay)
stops his song.