This is a massive mural (painted on concrete) in Montgomery metro - painted by Jean Folon (that's a man's name just in case you were wondering) in the 1970s. The official site for the metro says it's about having a faintly sinister sun indoors (hence my post just now about the yellow). I like it though as it seems happy yet stylized. In AA300 terms the metro is a border zone - we're facing in the direction of the forest where Flanders starts, as well as a bump in price because you've crossed the border.
Wednesday, 8 July 2009
Montgomery metro part 1
Montgomery (it's a famous junction in Brussels lorded over by a statue of Monty, the famous soldier guy - I've got a picture of the view of the Cinquantenaire 'Arc de Triomphe' arch through his legs but thought better of posting it) metro is a great place - lots of 1970s stuff, probably about to be ripped out - just like most of my brain. Anyway, this bit is near our old flat - this was on a hot night after a Wiener Schnitzel in a Croatian restaurant. I'm not sure why the walls are yellow - they smell OK, so maybe it's just part of the sun has migrated underground without telling us. Can you tell that haiku took about thirty seconds to write - that long I hear you say!
Sunset mode
Chin chiller
Here in OUSA Belgium we believe in taking it on the chin, even if makes you go a funny sepia shade.
This is actually with a new camera that does more, but I think has slightly grainier pictures than the old one.
Apologies for not updating this blog more often - I'm feeling a bit lazy and summery. It's all I can do to revise stuff like this - if you think this is bad, you should have read the first version.
TANGO
A hundredweight of bread
moves down a frosty hill
to Karl the baker
cheeping an old song
from exotic toothed birds.
Behind him, a clapped out bus
(not green, not red, but something between,
like the surface of eyes in a Javanese film)
wheezes like a dying cult
as schoolkids pick out loam
from finger-nails not yet grown.
The bread is nearer now.
In the crystal sight
of a winter's day
(not hot, not cold but fashionably indirect
coolly half-finished
like a carte de visite for a future dream)
ghost Greek Gods laugh silently
their chests as devastated as stars
glued to a red-grey sky.
The bus roars off
its petrochemical jerk makes trees dance along:
their arms scratching their swift-growing girths.
Colin sits on the saddened ground
as a wall of bread
(not high, not low, just large enough to slay)
stops his song.
Subscribe to:
Posts (Atom)